Showing posts with label Artist Presentation 1. Show all posts
Showing posts with label Artist Presentation 1. Show all posts

Thursday, March 17, 2016

Artist Presentations 1 Continued

1.     I went first!!
2.     Nathaniel- Thomas Demand= He describes himself as a Conceptual Artist- makes Large Scale 3-D Models made out of paper and cardboard. 1993 began using photograph more heavily.  He photographs his installations. The Grouto- 30+ pounds of cardboard. Detailed photos but subtle flaws. Reconstructions that are close but not perfect so truth and not will be clear. Social or politically charged work, particularly German history. Photography is all about truth and reality. Bureau- the fall of the berlin wall.  No information on the papers, just the feeling from the event of them storming buildings for more information.  Bathroom- German politician found dead in his bathroom. This is his recreation. Podium- Location where Serbian dictator gave a speech of the anniversary of defeating the Turks. Attempt- Artist studio, terrorist in Germany targeted the artists studio to get the politician next door. Kitchen- Sadam Husain kitchen. Yellowcake- Presidency 1, 2, 3, 4, 5- build spaces out of cardboard. Of the presidents areas and his idea of them. No writing on the paper, no stars on the flag, aiming for the idea to see something about the space you have not seen before. The Dailies- favorite of Nathaniel’s, it is more relatable. Photographed around town and recreated in the studio. It allows more of a viewer based narrative in this body of work. All have elements of human beings without having human subjects in them. Q- does he put stuff outside or is it all constructed? A- completely constructed. Q- how long does it take to create this stuff. A- I do not recall exactly.
3.     Hanna- Sandy Skoglund= born Sep 11, 1946. Her childhood is important for her later work. Middle class, Cape Elizabeth, LA, Deer Born, Houston. She could recreate herself in each new city traveling for her dads work. Smith College 1964-68 University of Iowa. Hangers, 1979. Cookies on a Plate, 1978. Mass production and commercial style of America and advertisement. Very colorful imagery. “Art is not about making sense. When it sounds like I am making sense, and talking about my work, it is all hindsight; and it’s all kind of another person from a person who was there making the work at the time” Radioactive Cats, 1980. She threw away some of the first cats and saw them in the windows of her town. Maybe Babies, 1983. Humans are corrupt in this universe. Abortion maybe, reached many people. Germs Are Everywhere, 1984. Revenge of the Goldfish, 1981. Goldfish is supposed to have a sexual sensation to it, child’s playmate. Germs – soaked gum and a one two chew. Hits on the disgusting habits of humans, in the sanction of your home. Fox games, 1989. The red room is the first installation. Then flipped the color to get a different view. Red room is more like an infestation; they look like cats or rats. The grey has people and the red foxes make it more playful. Walking on Eggshells 1997 took her 2 years to create. Most of this is created with paper. Picnic on Wine, 2003. Objects and subjects on top of fragile material. The Cocktail Party, 1992 took a long time about dialogs and interactions. Breathing Glass. Raining popcorn, atomic love-Raisins. The medium of photography allows her installations to last a lifetime. Spirituality in the Flesh 1992- made with meat. Body Limits 1992 made with meat.
4.     Chelsea- John Pfahl= American born in 1939. Conceptual Photography. “People think the camera steals their soul. Places, I am convinced, are affected in the opposite direction. The more they are photographed the more soul they seem to accumulate.” MA in 1968. Taught at Rochester… Missile/Glyph series-Petroglyphs- indigenous people created the bottom of these. Missiles at the top. The end of culture through bombing and the beginning of life together. Fat Man Atomic Bomb/Great Gallery Pictographs in comparison with Hiroshima nuclear blast shadows after the atomic bomb was dropped. Reinforces beginning and end of culture. Picture windows series. 2 parts from each series East and West. Viewing through a window is a different experience than being outside. Widows are cameras with a fixed view. East=31 price street, 483 Highgate, 11000 Southwest 57th Avenue. West= Lane Ranch Road, 327 College Way, 228 Grant Street. Power places Series. Power companies with picturesque landscapes, all need water for the manmade structures were created. Connection between power and natural landscapes. Crystal River Nuclear Plant. The names of the power plants resemble the area surrounding them. Windmill. ERB-1 nuclear plant. Four corners power plant. Smoke Series. Bethlehem more colorful, about movement and color. “A phantasmagoria of light and color.” Beautiful images of something so awful for the earth. He says the happen like geysers.
5.     Amanda- Jeff Wall= Born September 29, 1946. MA 1970 stopped making art till 1977. Makes Backlit photo transparences. Mimic, The Destroyed Room, A sudden gust of wind (After Hokusai) 1993= over 100 individual photos. “I am haunted by the idea that my photography was al a big mistake.” He is not a real photographer because he stages his photograph. Dead troops, Milk 1984, Overpass 2001, Property Line (2015) between the continents. Listener 2015, represents a hostage situation. Approach 2014 created in 2 months, it is not understood if it was staged with humans or just the setting. It was taken under a freeway though.  He sees scenes, thinks about them, then trys to recreate the scene.

6.     Riva-Shizuka Yokomizo= Born in Tokyo and lives in London. “You are behind the window?” She captures images through windows, without knowing the models you can tell a lot from their facial and body expressions. She replaces the sense of physical and emotional distance with a world of intimacy. Rather than looking outward to acknowledge the camera the subjects looks inward. Untitled, 1997 involves her own self. Simple people in a simple familiar setting. Doorways in some of her imagery with vibrant colors. Interesting light sources. Eastern Jampanese Culture. Shibui (subtle) means simple, subtle, or unobtrusive. It means that things are more beautiful when they are not directly speaking out. Just want you to imagine. Sleeping series images of friends sleeping. Presence, solitude, relationship between private and subtle, self and other. Stranger Series. Is this like a peeping tom? No because the people are entitled to refuse. Dirty Window by Merry Alpern and she took pictures of people in the bathroom at a low rent sex club.

Artist Presentations 1

Sara= William Eggleston-
  • ·      Great Handout- 1974 portfolio of dye transfer prints
  • ·      Does not really title work, he just puts them in a series
  • ·      William Eggleston’s Guide- 1976, curated by Szarkowski- at the MOMA- introduced color photography to the fine art world.
  • ·      Really frank with people.
  • ·      Troubled waters series- 1980 15 prints
  • ·      “What am I going to take pictures of? Everything is so ugly!”-WE “Well photograph the ugly stuff.”-Wife
  • ·      He only takes one picture of one thing- he said it was so confusing on picking which one was better that he doesn’t bother with it anymore.

Rachel= Shana- Robert ParkeHarrison-
  • ·      Paper positive negatives with sewing and putting huge images together never any Photoshop.
  • ·      Has lots of series with added subseries.
  • ·      Environmental despair.
  • ·      “The Gardener”- Robert Park Harrison is the model
  • ·      “Making Rain”- overconsumption and carelessness on earth
  • ·      Human with technology
  • ·      “Restoration”- sub series promise the land
  • ·      “Pollination”
  • ·      “Edison’s Light”
  • ·      Robert is the model and photographer, Shana is the set designer
  • ·      “Mending the Earth”- Timothy image of Nevada is appropriated for the background.
  • ·      “Suspension”- Most images overlaid in the series.
  • ·      Uses wax in a lot of their work, adds texture to the front of the images.
  • ·      “Tree Stories”- sub series kingdom
  • ·      “The Collector”
  • ·      Uses familiar exaggerated every day occurrences.
  • ·      “Passage”, “Airway”, “Burn Season”, “Lucid Dream”
  • ·      University of New Mexico is where they studied. This stuff she showed us is more Robert than Shana. The later color work is more influenced with Shana. Very little background information was given on the individuals.
  • ·      Research why they chose paper negatives and layers with encaustic to create photographs that look like paintings.

Anna= Carrie Mae Weems-
  • ·      Born in 1953
  • ·      Does photography and video
  • ·      Got a degree in photography and folklore
  • ·      Started as a dancer
  • ·      Construction of history- the perception of black stereotypes
  • ·      From Here I saw what happened and I cried
  • o   Appropriated image
  • o   Black people were being treated as specimens
  • ·      Daguerreotypes- debunking racial stereotypes- “What is Identity” Takes the subject and flips the view.
  • ·      Confronts by making us uncomfortable.
  • ·      Applies deep red color, with comparison to history style photographs, it used to not show the color of skin with her subject matters
  • ·      Later work African Jems and Jewels- reimage how we look at blacks with the colors in the series.
  • ·      The kitchen table series- negotiation of space, intimate invasion. Appear documentary but are staged, challenging black female narrative. She becomes the subject and the photographer. Identity, race, gender, class is all questioned. Beauty of a woman’s solitude. Evocative, mysterious, dramatic.
  • ·      “I looked and I looked to see what terrified you”- constructs her own sexuality, self criticism and love, why should she be judged?
  • ·      Slow Fade to Black- appropriated ethereal images.  Trail blazing African woman, giving them color and vibrancy bringing them back to life, she blurs them, asks us to look at the forgotten history.
  • ·      Series- Roaming 2006- explores black female controlling her life, women are not given and equal platform to man. Female space in relationship to male architecture, power and control of body.  Gendered space dialog.
  • ·      Ain’t Jokin (1987)
  • ·      Contrasting relationship to reality- Mean to be humorous and witty with intimate images about stereotypical cultural images. Creates a tension, the stereotypes are created by the viewer not by the subjects.
  • ·      Operation: Activate- in relation to cops and black people.
  • ·      Family Pictures and Stories (1981)- 1965 deterioration of African life is because of them- there is a report.
  • ·      Multi dimensional portrait, daily messy crowded and hopeful images of the family.
  • ·      Blue Note- 2015- blurring images adding blocks of colors- interpretation is key.

Morgan= David Hilliard-
  • ·      Born 1964 in Massachusetts
  • ·      Panoramic Photos
  • ·      Staged Photography
  • ·      BFA Mass College of Art
  • ·      MFA Yale
  • ·      “Rock Bottom” 2008- focuses on personal, familiar, ordinary
  • ·      Reoccurring theme of him and his father
  • ·      Physical distance represents emotional images
  • ·      Creates panoramic photos with single images in different angles to guide the viewer the way he wants too.
  • ·      Ebb, 2012 the tale is true series- Father son narrative again
  • ·      “Some days have gone”
  • ·      “Again”- one of his only vertical
  • ·      “Two cowboys, Two horse” very challenging perspectives
  • ·      “His Problem with Plurality” 1998
  • ·      Very short presentation- Q- is his mother present? A- his work is predominantly male didn’t read anything about it though. Q- Was the little boy his son? A- Not that I know of.

Briana= Philip- Lorca diCorcia-
  • ·      American Photographer- before that he was really into drugs- him and his friends overdosed, his friend died, he pursues photography
  • ·      MFA- Yale
  • ·      Body of Work- A Storybook Life 16 images
  • o   “Hartford”
  • o   The idea of having a book and putting them in a sequence creates a story that he wants to explore with the audience
  • o   Staged images- almost look like film stills
  • ·      BoW- Hustlers, Male prostitutes in LA
  • o   Got National Endowment of the Arts
  • o   “Chris, 28 years old, Los Angeles, California, $30”- the cost he had to pay to take the photograph
  • o   He randomly picked up people asking the to take a picture, most didn’t believe but came anyway.
  • o   Real job of prostitution but in a staged setting
  • o   “Ralph Smith, 21 years old, Ft. Lauderdale, Florida, $25.”
  • o   He didn’t take a chance to get to know these people. It was just a transaction.
  • o   Glamorous images of a not so glamorous lifestyle.
  • ·      BoW- Streetwork
  • o   “Havana”
  • o   This covers big cities
  • o   “New York”
  • ·      BoW- Heads
  • o   Strobes set up in times square, was sued but he did not win
  • ·      BoW- Lucky 13
  • o   Pole dancers, set up the stage and the women posed for him,
  • o   Response to 9/11 inspired by picture of falling man and then created this series.
  • o   Min had not heard of this work.
  • ·      BoW- East of Eden
  • o   Response to financial crash of 2008
  • o   Fall of man, staged narrative
  • o   Bible and loss of innocence
  • o   “Abraham”- his hand and his son- Abraham sacrifices son Issac- no reaction to a dart heading straight for his face.
  • o   “Iolanda”- isolated, what is the reason for the tornado in the room?
  • ·      Invites to create your own narrative, with subtle cues to help along the way.

Maya= Mariko Mori-
  • ·      Photography and Film
  • ·      “Play with Me” 1994
  • ·      Started at fashion school and started working with fashion photographers
  • ·      Women, Gender, Japanese society. In her own reality.
  • ·      “Tea Ceremony III”- 1995 played is an interplanetary geisha
  • ·      “Empty Dream”- 1995 she digitally placed herself in it
  • ·      “Birth of Star”- 1995, play on Japanese idols, includes a CD
  • ·      “Miko no Inori”- Video- very stylized, not my favorite.
  • ·      Combines spirituality and characters she comes up with.
  • ·      Intended to put you in a mediated state.
  • ·      Connects fashion with play
  • ·      “Warrior”- 1994 entering the gaming world.
  • ·      She does not take the photos; she just controls the entire scene.
  • ·      “Love Hotel”- 1994 school girl outfit and alone, innocent.
  • ·      Her in red light district of Japan, lots of moving people that Maya describes them as a “ghost town”
  • ·      Q- What does she say about her work? A- She likes Cos-play and the young Japanese culture.
  • ·      3D Video Nirvana (1996-97)- technological has puffs of different air. Buddhism is prevalent, she appears as a deity. Beauty clarity and happiness.
  • ·      Kumano- Video art, 3 characters shaman, floating angel, and mysterious fairy.
  • ·      Burning Desire 1998- connection of elements. She is the central figure.
  • ·      Mirror of Water 1998- floating alien head
  • ·      Last Departure 1996- cyber girl, inspired by Astro Boy. Inside of Japanese airport
  • ·      Pratimba- Past, Present, Future installation piece for her Buddhist area
  • ·      Tom Na H’iul-LED lights real time changing.
  • ·      Cyclicscape- 3D printing and cyclic nature of nature with time and space.
  • ·      Capture the essence of the ocean paintings
  • ·      “Wave UFO’ 1999-2002- engages all the senses, brainwave interface, vision dome, projector, computer system, fiberglass- wanted to create an Alien area.
  • ·      “Dream Temple” 1997
  • ·      “Body Capsule” place body capsule in 13 different place, it was great and different because she went from city to outside spaces.
  • ·      “Primal Rhythms”- installation on the moon solstice the shadow creates a straight line.